Latest – Page 2
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Reviews
‘Bound In Heaven’: San Sebastian Review
Veteran screenwriter Huo Xin makes her directorial debut with a genre-infused drama about domestic abuse
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Reviews
’How To Make Millions Before Grandma Dies’: Review
A young man forges a fresh relationship with his ailing grandmother in this Thai box office sensation
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Reviews
‘Better Man’: Toronto Review
Robbie Williams gets an inventive biopic treatment by The Greatest Showman’s Michael Gracey
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Reviews
‘Stranger Eyes’: Venice Review
Singapore’s first film to compete at Venice is a closely-observed mystery about a child who has vanished
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Reviews
‘Happyend’: Venice Review
Neo Sora’s fiction debut follows a group of students in near-future Japan as they attempt to disrupt surveillance society
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Reviews
‘Don’t Cry, Butterfly’: Venice Review
A woman turns to the spirits to win back her philandering husband in this enigmatic Vietnamese debu
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Reviews
‘Phantosmia’: Venice Review
Lav Diaz explores the legacy of harm and the power of late-life redemption in his latest meditative work
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Reviews
‘Mistress Dispeller’: Venice Review
A ‘mistress dispeller’ seeks to break up an extramarital affair in this intimate Chinese documentary
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Reviews
‘Cloud’: Venice Review
The cybernet gets viciously real in Kiyoshi Kurosawa’s latest web-inspired thriller
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Reviews
‘Touch’: Review
Focus Features’ pandemic-set drama by Baltasar Kormákur moves between Iceland, London, and Hiroshima
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Reviews
‘Pierce’: Karlovy Vary Review
Two estranged brothers reconnect through fencing in this sharp Taiwan-set ’sophisticated genre piece’
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Reviews
‘The Imaginary’: Annecy Review
Studio Ponoc’s ’appealing, engaging’ anime for Netflix is set in the English countrysde
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Reviews
‘The Colours Within’: Annecy Review
Naoko Yamada’s ’strikingly-lovely’ 2D animation is centred around three high school misfits who decide to form a band
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Reviews
‘Ghost Cat Anzu’: Annecy Review
Manga adaptation veers wildly in tone but is always claw-cuttingly sharp
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Reviews
‘Memoir Of A Snail’: Annecy Review
Oscar-winner Adam Elliot’s tragi-comic claymation is voiced by Sarah Snook and a rogue’s gallery of Australian character voices
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Reviews
‘Ultraman: Rising’: Review
The iconic Japanese superhero returns for a new adventure in Netflix’s family-friendly animation
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Reviews
‘She’s Got No Name’: Cannes Review
Peter Chan delivers a stirring widescreen melodrama set in Shanghai of the 1940s to round out Cannes 2024
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Reviews
‘All We Imagine As Light’: Cannes Review
Payal Kapadia’s eloquent fiction debut follows three women attempting to find their place in modern Mumbai
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Reviews
‘Viet And Nam’: Cannes Review
Two gay Vietnamese miners face an uncertain future in Truong Minh Quy’s delicate drama
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Reviews
‘I, The Executioner’: Cannes Review
Ryoo Seung-wan delivers a weighty action sequel to 2015’s blockbuster Veteran