US musician Jeff Russo on his scores for ‘Ripley’ and ‘Fargo’, and being part of rock band Tonic
The musician is up for a World Soundtrack Award for television composer of the year.
Laura Karpman on creating the scores for ‘American Fiction’ and ‘The Marvels’
2023 marked a pioneering year for Karpman, who worked on six film and TV projects across the year.
Academy CEO Bill Kramer on internationalising the US awards body
As part of the drive, the Student Academy Awards are being held in London tonight for the first time.
‘Spirit World’ director Eric Khoo talks working with Catherine Deneuve and a return to Busan
The film has been set as the first feature from Singapore to close Busan International Film Festival.
Kiyoshi Kurosawa on taking his latest directing streak in his stride: “I used to do five a year”
The prolific Japanese auteur received the Asian filmmaker of the year award in Busan — after making three features in 12 months.
Why China’s Du Jie chose to make ‘The Height Of The Coconut Trees’ in Japan
The film will world premiere in Busan’s New Currents competition
‘Uprising’ director Kim Sang-man talks working with Park Chan-wook and Netflix
The period action drama stars Gang Dong-won and Park Jeong-min.
How Germany’s Junafilm has become a go-to international partner for genre and family films
The world premiere of English-language horror title ‘Spirit In The Blood’ is taking place at Filmfest Hamburg.
“Bullfighting is a reminder of the cycle of life:” Albert Serra reflects on ‘Afternoons Of Solitude’
The feature documentary set in the world of bullfighting is playing in competition at the San Sebastian International Film Festival.
Jia Zhangke on plans to grow Pingyao film festival while remaining intimate
The festival’s 8th edition will screen 51 films including 17 world premieres.
‘A River Without Tears’ director Liu Juan on working with Jia Zhangke and shooting in the wild
Jia Zhangke is executive producer of the feature, which has been set as the opening film of the 8th Pingyao International Film Festival.
San Sebastian's José Luis Rebordinos talks funding, key films and why there are no plans for a market
”The four institutions that fund the festival are invested in culture,” says Rebordinos.
Audrey Diwan on reimagining ‘Emmanuelle’ as a film about female pleasure
‘Emmanuelle’ is opening the San Sebastian International Film Festival.
