Latest – Page 7
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Reviews
‘God Is A Woman’: Venice Review
Panama’s indigenous Kuna fight to reclaim a documentary filmed in their community in 1975
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Reviews
‘Comandante’: Venice Review
Venice opens with this pointed dramatisation of a World War II story in which a Fascist submarine commander rescued the people he torpedoed
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Reviews
‘Vera’: Review
Italian socialite Vera Gemma plays a version of herself in Tizza Covi and Rainer Frimmel’s hybrid docudrama
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Reviews
‘Dirty Difficult Dangerous’: Hamburg Review
Two refugees find love against the odds in modern Beirut
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Reviews
‘Trenque Lauquen’: San Sebastian Review
Laura Citarella’s two linked features search for a missing woman in the pampa who might not want to be found
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Reviews
‘When The Waves Are Gone’: Venice Review
Filipino director Lav Diaz takes direct aim at the Duterte regime with this tale of crime and corruption
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Reviews
‘The Hanging Sun’: Venice Review
UK/Italian Jo Nesbo adaptation from Sky closes out the 79th Venice Film Festival with a thud
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Reviews
‘Our Ties’: Venice Review
Roschdy Zem’s sixth feature, co-starring him and co-written with Maiwenn, competes at Venice
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Reviews
‘Clare’: Venice Review
The life and times of the founder of the Poor Clares, as written and directed by Susanna Nicchiarelli
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Reviews
‘The Listener’: Venice Review
Tessa Thompson’s poised presence elevates Steve Buscemi’s intimate drama about a helpline volunteer
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Reviews
‘No Bears’: Venice Review
Imprisoned Iranian filmmaker Jafar Panahi delivers a powerful statement of tenacity and defiance
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Reviews
‘Queens’: Venice Review
Yasmine Benkiran’s tale of two women on the run from authorities through Morocco closes Venice Critics Week
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Reviews
‘Call Of God’: Venice Review
Kim Ki-Duk’s posthumous final film fails to leave a lasting impression
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Reviews
‘Dry’: Venice Review
Paolo Virzi’s sprawling, inter-connected drama places a parched Rome in the middle of a three-year drought
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Reviews
‘Blonde’: Venice Review
Andrew Dominik’s adaptation of Joyce Carol Oates’ fictional novel paints a voyeuristic portrait of Marilyn Monroe
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Reviews
‘The Damned Don’t Cry’: Venice Review
A mother and son reside on the fringes of Moroccan society in Fyzal Boulifa’s impressive second feature
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Reviews
‘Beyond The Wall’: Venice Review
Iranian writer-director Vahid Jalilvand delivers a howl of political fury
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Reviews
‘The Matchmaker’: Venice Review
Dilligent, focused and thought-provoking portrait of notorious British jihadist Tooba Gondal
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Reviews
‘Have You Seen This Woman?’: Venice Review
Ksenija Marinkovic gives a committed performance in this existential psychodrama
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Reviews
‘The Son’: Venice Review
Florian Zeller follows up ‘The Son’ with another family drama, starring Hugh Jackman and Vanessa Kirby