Latest – Page 6
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Reviews
‘The Theory Of Everything’: Venice Review
A conference about quantum physics in 1960s Switzerland plays host to this atmospheric noir debut
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Reviews
‘Aggro Dr1ft’: Venice Review
Harmony Korine aims for post-cinema in a film shot using thermal imagery and without a screenplay
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Reviews
‘Explanation For Everything’: Venice Review
Hungary’s political divisions are manifested by a teenage student facing unrest both at home and school
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Reviews
‘The Palace’: Venice Review
Roman Polanski’s attempted comedy set in a Swiss luxury hotel proves to be anything but five star
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Reviews
‘The Rescue’: Venice Review
The kidnap of a businessman reveals the fragility of Argentina’s new-found democracy in this 1980s-set drama
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Reviews
‘Maestro’: Venice Review
Director/star Bradley Cooper conducts an impressively-mounted, if uneven, portrait of composer Leonard Bernstein
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Reviews
‘Foremost By Night’: Venice Review
Well-intentioned Spanish drama about the forced abduction of infants by the Franco regime plays out in Venice Days
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Reviews
‘Adagio’: Venice Review
Pierfrancesco Favino and Toni Servillo play two ageing mob-men in the final part of Stefano Sollima’s Rome-set crime trilogy
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Reviews
‘Hoard’: Venice Review
Debut British filmmaker Luna Carmoon draws from her own life for this unconventional mother-daughter drama
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Reviews
‘Finally Dawn’: Venice Review
Saverio Costanzo’s Cinecitta-set delight harks to the heyday of ‘Hollywood on the Tiber’ and co-stars Lily James and Willem Dafoe
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Reviews
‘Poor Things’: Venice Review
Emma Stone is a freshly minted woman of the world in Yorgos Lanthimos’s rich slice of period futurism
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Reviews
‘Frank Capra: Mr America’: Venice Review
Pacy exploration of the life and legacy of celebrated ’It’s A Wonderful Life’ filmmaker Frank Capra
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Reviews
‘The Promised Land’: Venice Review
‘Invigoratingly savage Nordic western’ stars Mads Mikkelsen as a retired army captain attempting to tame Jutland in 1755
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Reviews
‘The Wonderful Story Of Henry Sugar’: Venice Review
Wes Anderson returns to the world of Roald Dahl for this short, satisfying star-studded confection for Netflix
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Reviews
‘Life Is Not A Competition, But I’m Winning’: Venice Review
Inventive hybrid documentary from Germany takes a historical look at gender boundaries in competitive sport
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Reviews
‘Dogman’: Venice Review
Luc Besson’s tale of a troubled man who finds salvation through his love of dogs has more bark than bite.
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Reviews
‘Ferrari’: Venice Review
Adam Driver gets behind the wheel of Michael Mann’s 1950s Italian period piece which never quite hits top gear
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Reviews
‘Upon Open Sky’: Venice Review
A teenage trio go on the hunt for revenge in this lacklustre road movie penned by Guillermo Arriaga
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Reviews
‘El Conde’: Venice Review
Pablo Larrain’s high-concept Netflix drama featuring Augusto Pinochet as an ageing vampire lacks bite
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Reviews
‘City Of Wind’: Venice Review
A 17 year-old shaman comes of age in this remarkably-assured debut feature from Mongolia